著作权集中许可机制的正当性与立法完善/熊琦(14)
[7]See Lawrence Lessig, Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity, Penguin Press (2004), pp. 87-94; pp. 183-207.
[8]相同的观点参见Robert P. Merges, The End of Friction? Property Rights and Contract in the “Newtonian” World of On-line Commerce, 12 Berkeley Tech. L. J. 115 (1997), p. 116.
[9]See Stanley M. Bensen, An Economic Analysis of Copyright Collectives, 78 Va. L. Rev. (1992), pp. 383-390.
[10]See Henry E. Smith, Institutions and Indirectness in Intellectual Property, 157 U. Pa. L. Rev. 2083 (2009), p. 2089.
[11]See Henry E. Smith, Modularity in Contracts: Boilerplate and Information Flow, 104 Mich. L. Rev. 1175 (2006), pp. 1180-1190.
[12]See Robert P. Merges, The Concept of Property in the Digital Era, 45 Hous. L. Rev. 1239 (2008), p. 1250.
[13]See Lionel S. Sobel, The Music Business and the Sherman Act: An Analysis of The “Economic Realities” of Blanket Licensing, 3 Loy. L.A. Ent. L.J. 2 (1983), p. 4.
[14]See Broadcast Music, Inc. v. CBS, Inc., 441 U.S. 1 (1979), p. 40.
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